Peter Lyle DeHaan has answers, which he shares in The Successful Author. With over three decades of experience as an author, blogger, freelancer, and publisher, Peter will help you on your writing journey.
On this grand adventure:
Learn why you shouldn’t call yourself an aspiring writer.
Uncover tips to deal with rejection.
Expose writing advice that may not be true.
Discover how to self-edit, get feedback, and find an editor.
Determine if being a writer is worth the effort. (Hint: it is.)
But there’s more. In fourteen chapters, with over one hundred entries, Peter will address:
Finding time to write
The traditional vs indie publishing debate
Whether or not to blog—and what to do if you do blog
Copyrights, registration, and legal issues
Publishing options and insights
Plus there are loads of writing tips, submission pointers, and a publishing checklist.
Don’t delay your writing journey any longer. Take the next step, and get your copy of The Successful Author.
Be inspired. Be informed. Be motivated to become the writer you’ve always dreamed of.
Imbedded within a clever story that held my interest, Randy smartly outlines his ten steps, along with responding to the inevitable critics in his story who try to argue against each of his suggestions.
Billed as an alternative solution that fits between outlining and writing organically, the Snowflake Method is a writing tool most everyone can use. Few people, it seems are 100 percent outliners or 100 percent organic writers. The Snowflake Method of writing a book is not too hard, not too soft, but just right.
Though a quick and enjoyable read, in the end, I was still not convinced the Snowflake Method was right for me. Then Randy turned me into a convert. He said, “If only a few parts work for you, then use those and be happy.
What a relief. I narrowed his list of ten down to five, and I am happy.
Writers serious about their craft should take concrete action to advance their career
In a recent interview, an author was asked, “What’s the best thing you’ve ever done to improve as a writer?” What a great question; I so appreciated the author’s answer. Yet my mind immediately considered how I would respond.
Within seconds I knew my answer. I smiled, thinking back to how that one decision changed me as a writer, propelling me forward.
Just as quickly another idea popped into my mind. It was a good answer, too. Which one was more important? I wasn’t sure. How could I pick just one?
But then a third significant thought surfaced, followed by a fourth, and then a fifth. They were all pivotal. Without any one of them, I wouldn’t be where I am today. Each was essential.
So I have not one answer to share, but five. My five tips to becoming a better writer are:
1) Call Yourself a Writer: It sounds corny, and it’s hard to do. But my first tip is to say, “I am a writer.” When I first did this, my lips moved, but no sound came out. After three tries my claim was just a whisper—and that was in private. It took a couple of years before I could comfortably tell someone, “I am a writer.”
I occasionally teach a “Get Started” workshop at a writer’s conference. I often have my class say this. Their first try is cautious, timid. But by their third attempt, they are confident and grinning. We need to call ourselves writers in order for us to believe it.
2) Commit to Writing: Once I called myself a writer I needed to commit to it. I had to set time aside to write, not just when I was motivated or had an idea, but even when I didn’t feel like it. Once a week on Saturdays, it became three times a week in the evenings, which moved to five times a week in the mornings. Now I block out significant time each day to write. It’s my schedule, like going to work—but in a way it is. Writing is my job.
3) Attend Events: Next is the need to connect with other writers. Join a writing or critique group. Attend conferences. Mentor someone else and seek a mentor. Maybe you need to mentor each other. At my first conference, I was the proverbial deer in the headlights. It was terrifying, and my naiveté cost me a bit of embarrassment, but the conference was so worth it. I wouldn’t trade that experience for anything.
4) Learn about Writing: With technology, we have many options to learn about writing: blogs, podcasts, and webinars are usually free. Books and magazines don’t cost too much. I’ve also taken some online classes—not university types, but practical, applicable writing instruction. I started with reading blogs and the rest of these followed.
5) Seek Help: As I began to make some money with my writing—which took years, by the way—I had funds to invest in my work. I began to hire experts to help improve. Aside from an editor, for my first effort, I paid a retired writing professor to help me improve my short story writing (as a prelude to novels). His input was invaluable. Since then I’ve hired developmental editors and a grammar guru. With them, I slash my learning curve and gain valuable information fast.
These are the five steps I took to become a better writer. I can’t say which one was more significant, but I will admit that without taking that first step, I would have never gotten to the next four.
There is no single path to becoming a better writer. Instead, we have a myriad of options before us. Here are some of the opportunities I encountered on my writing journey:
Early on I contributed articles to a small newsletter (back when newsletters were still mailed). Having a deadline to hit each month was great preparation. It also taught me to always look for ideas and to work ahead. I did this for several years.
Get a Writing Job
Later I worked for a company in a seemingly perpetual state of reorganization. During one such reshuffling, I ended up doing tech writing. I wrote for eight hours-a-day, five-days-a-week, every week. Though another restructuring soon moved me elsewhere, during this stint I learned how to write all day long.
Years later I jumped into blogging. What started as an experiment, moved into a hobby, and later acquired a purpose. At one time I had eight active blogs. Now I’m down to three and may whittle that down to two. (But don’t worry; this one will stay). In the past eight years, I’ve published some 1,500 posts, amounting to nearly a half-million words. During this time, I found my writing voice.
Listen to Podcasts
I don’t listen to music on my iPod; I listen to podcasts, mostly about writing. I learn about writing as a craft and as a business. I listen for several hours each week. It’s like going to school—without the tests.
I also participate in critique groups. My friends help me improve. Yes, it’s wonderful when they like my words, but it’s even better when they point out the shortcomings. They encourage me and keep me on track.
I also read magazines and books about the craft. Though I own more writing books than I’ve read, what I have read has helped me greatly.
For too many years I read only nonfiction relating to work or faith. After a while, everything I read bored me. Now I read mostly fiction, from just about any genre. As I read more widely, I can write more broadly.
I spend time with other writers. Only writers understand the isolation of the work, the frustration of when words don’t work as we wish, the agony of rejection, and the joy of publication. We need a writing community to journey with us, be it online or in person.
In pursuing freelance work, I do a lot of content marketing, which for me is much like blogging. Here I write with a purpose, have deadlines, and earn money. I think every writer—whether they admit it or not—wants to make money with their writing. I do.
These are the highlights of my writing journey, haphazard for the first three decades and more intentional in the last one. Your journey will be different.
May we all move steadily down the path of our own writing roads.
I view my writing as a job. I use that term loosely. Though I derive some income directly from my writing, like most authors, I also have a day job to help pay the bills. Few authors earn enough money through their writing alone to fully support themselves and their families. The vast majority have another source of income, even though it may be writing-related. Such is my case. (I’m a magazine publisher.)
Still, I think it’s critical to treat writing like a job. This means:
I write every day, just like going to work. Though I don’t punch a time clock, I do have a regular time to write. When it’s time to write, I sit down, and I do it, with no procrastination and no waffling. I write.
I invest in my job of writing by going to conferences, two per year. This allows me to meet other writers, as well as agents and publishers. I make friends in the writing community; I network; I help others. I give and I receive it.
I also strive to improve as a writer. This includes reading blogs, listening to podcasts, taking online courses, and reading books and magazines that relate to writing. I attend writing groups to have my work critiqued and to give input to others. I seek input every chance I get.
I treat writing as a business, too. I track expenses (yuck) and income (yea). Some years I make a profit, and I’m trending towards profit every year. Right now, most of that income is derived from freelance work.
I treat my writing as a job. My dream is that one-day writing will be my only one.
Other people view writing as a hobby. They write when they feel like it. They write just for their family or friends, maybe even just for themselves. Sometimes they don’t even let other people read their writing. They don’t expect to ever make money from their work. But they do spend money on their hobby. They attend conferences, though it’s mostly for fun: to have an excuse to travel, hang out with other writers, or tie in a mini-vacation. They may also be part of the writer’s groups, but it’s mostly for social benefits. Last, the writing hobbyist often prefers to talk about writing more than to actually write.
Though I wish every writer would treat writing as their job, I know that for some it is a hobby. And that’s okay, just as long as they are honest with themselves.
Are You There Blog? It’s Me, Writer is the result of Kristen Lamb’s journey down the blogging path, from a struggling novice to successful blogger – with the following to prove it. And she specifically focuses on writers. Kristen avows that as a beginning blogger she made every conceivable mistake, many of which she shares with us so that we can avoid repeating them.
Are You There Blog? It is divided into three sections. The first is a social media primer, specifically as it relates to writers. Although it is seemingly a long introduction to the book’s main theme of blogging, it’s also most valuable, worth the price of the book by itself. Most of the commonly advocated social media practices, while great for businesses and corporations, don’t help writers and authors and in many cases are actually counterproductive.
The second section, the meat of the book, is entitled “Eighteen Lessons to Blogging Awesomeness,” which Kristen Lamb shares with both humor and authority. Implementing her recommendations will help writers construct a successful blog and aid in establishing their platform, doing so with a minimum of distraction and anxiety. Throughout this Kristen frequently references her own blog, not as annoying self-promotion, but as an actual example and to show that she really does follow her own advice.
The final section, the shortest of the three, offers a trio of testimonies from others who followed and affirm Kristin’s recommendations. This is a fitting conclusion to Are You There Blog? and a confirmation she’s not laying out a theoretical treatise but instead sharing a practical, workable, and proven plan to help writers blog.
We Are Not Alone: The Writer’s Guide to Social Media, Kristen Lamb shares from her own experience how writers can master social media, using it to build their platform. While much has been written about social media, this generic information, she asserts, is not helpful to writers and is often counter-productive.
We Are Not Alone (which Kristen affectionately refers to by its acronym, WANA) is presented in three acts. Act one is “The Big Picture,” effectively introducing the topic. It is a social media primer, providing the basics and presenting a compelling argument as to why writers need to embrace it.
The second act, the meat of the book, covers the practical aspect of building a social media platform; it’s subdivided into two stages. The first part offers instructions on understanding and gathering content, while the second section addresses the technology and websites that can be tapped to share this information.
The final act is the shortest of the three; it addresses time management. Succinctly, social media can be a huge time suck, as well as a distraction from the more important job of actually writing. Kristen shares her strategy to address this, encouraging readers to do the same.
We Are Not Alone was written in 2010 and with social media rapidly changing, some parts are already out of date (though happily most of the book is still nicely applicable). For example, not too many people are on My Space anymore, but Kristen advocates it as an essential part of a writer’s social media presence. While her argument is strong, I wonder if she still advises that today.
Regardless, the underlying basis of We Is Not Alone remains useful. I recommend the book as a basic tutorial for any writer not using social media and for those just starting to use it, as well as writers already socially active who desire to use it more effectively.
The Making of a Christian Bestseller: An Insider’s Guide to Christian Publishing is a valuable handbook of practical advice for writers in the Christian book market. Additionally, most of the insights are equally applicable to the general book market as well.
The Making of a Christian Bestseller is the result of Ann Byle’s interviews with successful, published writers who share their stories: what they did right – and wrong, the hard lessons learned the provisions from God, and their advice gained through personal experience. Each author’s account is self-contained in its own chapter, which is thematically arranged. The result is a pleasing progression of instruction and a helpful text on all things writing.
Regardless of the genre, The Making of a Christian Bestseller has a relevant chapter to address it. In total, 40 authors were consulted, which resulted in 40 concise chapters, smartly grouped into seven topics. As a bonus, each chapter starts with a quote from the author on the craft of writing and ends with a “best seller tip” summarizing key points. The book concludes with a valuable resource section and a helpful index for quick reference of key concepts and words.
Read The Making of a Christian Bestseller as a primer on Christian writing. Then use it as a personal handbook to refine your craft and advance your career. This book is a nice resource for every Christian author’s library.
V is for Vulnerable: Life Outside the Comfort Zone
By Seth Godin and illustrated by Hugh MacLeod (reviewed by Peter DeHaan)
Self-proclaimed as “an ABC for grownups,” Seth Godin’s book V is for Vulnerable may look like a kids picture book, but it’s really a creative package to encourage adults “to see the world differently.” In it, Godin shares simple truths to help readers stretch themselves, becoming more of who they were made to be.
In addition to learning that “V is for Vulnerable,” Seth teaches that “Effort isn’t the point, the impact is,” and that “Heroes are people who take risks for the right reasons,” along with 23 other alphabetically ordered insights.
Creatively illustrated by Hugh MacLeod, a clever drawing reinforces each of Seth’s 26 points. These pictures serve to both enlighten and to entertain, adding substance and depth to Godin’s concise coaching.
Buy a copy of V is for Vulnerable: Life Outside the Comfort Zone for yourself and another one to give to a friend (that’s what I did). Read it today and then reread it each year to refresh its message. I know I will; it’s that important.
(The text of this book, sans pictures, is also included in Appendix 2 of Godin’s book The Icarus Deception.)
In How Do I Decide? Rachelle Gardner gives an unbiased explanation of the pros and cons of self-publishing versus traditional publishing. She starts with a brief review of how publishing has changed in the past 15 years, followed by a summary of the basic tenets as publishing currently stands and then into an exposé of the emerging self-publishing option.
As the chapters unfold, Rachelle shares the strengths and weaknesses of both publishing opportunities, connecting them with the personal strengths and weaknesses, the individual likes and dislikes of each writer who is weighing these options. In doing so, Gardner does not attempt to steer readers towards one conclusion over the other but gives an open-minded presentation of each in a balanced manner.
After explaining both options, Rachelle unveils a detailed checklist to guide readers in selecting the publishing option that best matches their personality, experience, goals, and strengths. The book concludes with a valuable resource list that covers all aspects of book publishing.
Having followed this discussion for several years—and as someone who is simultaneously exploring both options—this concise book is the best resource I’ve seen. I highly recommend it as a starting point for any writer seeking publication, as well as published authors wishing to better navigate the rapidly changing path of book publication.