I hate asking new authors, “What’s your book about?”
They panic; they stammer; they ramble. Five minutes later, I’m still not sure. Telltale signs that communication is not occurring are phrases like, “Then in chapter two…” or “Oh, I forgot to mention…” or “I haven’t worked this part out yet.” When my eyes glaze over, they become flustered and utter the killer phrase: “It starts out kind of slow but really picks up around page 65.”
An elevator pitch is a concise and intriguing synopsis of our book. Imagine getting in an elevator and an agent or publisher asks, “What’s your book about?” Before the doors open, we need to have finished answering the question in such a compelling manner that the person wants to know more.
An elevator pitch must be short. Every word must count. We may only have twenty seconds, likely less. Our elevator pitches need to:
- Grab their attention
- Make our book stand out
- Cause them to want more
- Be memorable
It is usually only a couple sentences.
Prior to getting a book deal, our elevator pitch is the most important thing we will write. Yes, we must write it. Then we must memorize it. Finally we must deliver it flawlessly and with passion. The future of our book depends on it.
Here are elevator pitches for two memoir-style books of mine:
- “My wife and I visited a different Christian church every Sunday for a year. 52 Churches shares what we learned on our journey.”
- “God, I Don’t Want to Go to Church shares my lifelong struggle with church attendance, while offering hope to the disenfranchised. The subtitle is “Seven Churches that Pushed Me Away and the God Who Wouldn’t Let Go.”
Now I just need to work on memorization and delivery.
Have you ever fumbled the question, “What is your book about?” Do you have elevator pitch?