Category Archives: Publishing

Do Indie Authors Need to Follow Publishing Conventions?

Indie AuthorsHave you ever flipped through a book and sensed there was something odd about it? Though you couldn’t identify what was different, you knew something was off. It felt wrong. This has happened to me.

Perhaps the feeling was so strong that you opted not to read the book. Again, this has happened to me. Because my reaction to something in the layout was so negative, I have decided not to bother reading it.

When this happens it is most likely because the book deviated from some standard publishing practices. Though most readers are unaware of what these principles are, we subconsciously know when they aren’t followed. That’s when we get this unexplained feeling that something is wrong. If the feeling is strong, we might not read the book.

This is why indie authors should follow all of the time-honored traditions of book design, but there is nothing to say that we must. We can break from tradition. Sometimes we may have a good reason to not follow the rules.

The key is to be aware that the more book publishing practices we break, the greater the likelihood our finished product will produce a visceral reaction in potential readers that pushes some of them away.

As indie authors, we should follow publishing conventions whenever we can. If we do decide to break a rule, it should be for a good reason and with full knowledge that it could hurt readership.

Yes, rules are made to be broken, but they are also there to guide us. Choose wisely.

As indie authors, we should follow publishing conventions whenever we can. Click To Tweet

Have you ever had a negative subconscious reaction to a book? What publishing rules would you like to break?

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

Great Article on Book Cover Design

Book Cover Design

Several years ago, Karen Saunders wrote an excellent article “How to Make a Book Cover Design that Flies Off the Shelf!” Today, her suggestions are still just as valid.

However, there is one I would elevate in importance: “Seek the services of an experienced book cover designer.” I don’t view this as an option or a suggestion but as a requirement. Of course, I have no illusions about my graphic design abilities, so it is easy for me to say everyone should hire a professional book cover designer.

The only thing I might add to her excellent recommendations is to create a cover that looks great as a thumbnail. This is because most people browsing online only look at the thumbnail of the cover, not the actual cover. When you shop online, do you judge a book by its thumbnail? Click To Tweet

Instead of judging a book by its cover, they actually judge a book by the thumbnail of its cover. Make sure the title in the thumbnail is clear and easy to read. Next, ensure the reduced size graphics still communicate your intended message.

“Book cover design,” she says in conclusion “is a form of packaging.” Make sure to present your book in the best possible package.

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

The Two Extremes of Self-Publishing: Both Are Wrong

The Two Extremes of Self-Publishing: Both Are WrongWith changes in publishing and advances in technology, it’s never been easier to publish a book. This isn’t to imply publishing a book is easy, just that the barriers are disappearing and the costs are dropping. This emerging reality leads to two extremes of self-publishing for do-it-yourself authors who want to publish their books.

Extremes of Self-Publishing: Full Speed Ahead

Seeing it’s within their power to publish their books, some eager authors take the shortest (or the cheapest) path possible to place their books in print, be it on paper or a reading device. The casualty is quality: they make their own cover, skip peer review, bypass professional editing, don’t consider the need for interior design, and fail to pick the best possible title. The middle space between these two extremes is the best way to publish books and connect with receptive readers. Click To Tweet

The result is they see their book published quickly—and it’s terrible. It is amateurish, few people will buy it, and even fewer will read it. Those who wade threw it will give it one star and a terrible review.

This makes it harder for others who self-publish to gain respect and sell books; they are guilty by association.

Extremes of Self-Publishing: Do Everything Perfect

The other extreme is those authors who desire to produce the best possible book. They survey their followers to find the ideal title, hire a designer for their cover, tap a professional editor to copy-edit and proofread the book, and use someone to do the interior layout.

Along the way, they consider every option for distribution and promotion, looking at the pros and cons of each possibility, comparing risks with rewards. They know they will only be able to launch their book once and want to make sure it’s perfect.

The result is the plethora of ever-changing options will paralyze them from taking action. They will never actually publish their book, because there will always be one more opportunity to explore. Then no one will be able to read their book, because they will never get around to publishing it.

Both extremes of self-publishing are in error.

Authors must resist the urge to race unrestrained towards their goal; they must also fight to not fall victim to the paralysis of perfection. The middle space between these two extremes is the best way to publish books and connect with receptive readers.

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

Don’t Be an Idealist If You Want be a Self-Published Author

self-published authorI once heard about a self-published author who criticized other self-published authors for having professionally designed covers and hiring editors. He accused them of selling out. He claimed it wasn’t truly self-publishing if you didn’t do it all yourself.

Rubbish.

No one can truly self-publish a book all by him or herself. Have you bought buy a printing press to print copies? Will you cut down a tree to make the paper? Do you plan to hand mix the ink? Will you ship boxes of books to each retail store or personally deliver a copy to each buyer?

Even if you skip printing and go the e-book route, will you only sell the book on your website? Who designed your site anyway? And if you did your own, who wrote the software you used to create it? If you put your book on e-book platforms, how many programs, online resources, and intermediaries will you use to make that happen?

Self-Published Authors Need to Outside Help

If you look at the theoretical meaning of self-publishing, no one can truly self-publish a book. Every self-published author needs the help of others; much of the work must be outsourced. While prepress, production, and delivery are all obvious areas requiring assistance, other items are likewise worthy of outsourcing to professionals. These include cover design, editing, interior layout, and so forth.

Just as you could design your own cover, you could also make your own paper, mix your own ink, and hand print each page on a printing press you built. All of this would be foolhardy.

Self-publishing isn’t doing everything yourself. Instead, self-publishing is taking control of your book production and distribution, tapping experts along the way to make it happen in the most professional, effective way possible.

Every self-published author needs the help of others. Click To Tweet

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

Writing is an Art; Publishing is a Business

Producing and selling booksConsider all the really great books that don’t sell. Consider some of the poorly written books that do. Although this is unfair, it is also reality. Fortuitous timing aside, these two situations point out the fact that producing and selling books is part art and part business.

I’ve been in business much of my adult life: managing businesses, owning businesses, starting businesses, running businesses, and buying businesses. Being a businessman is in my blood; it’s part of who I am. Producing and selling books is part art and part business. Click To Tweet

Writing is Art

I’ve been writing even longer, but in the past years, I’ve taken writing seriously, moving it from hobby status to professional. I’ve worked at improving my work, at communicating clearer, and at understanding the craft. Along the way, I realized writing is art. For a person who didn’t think of himself as creative, seeing writing as a form of art is huge. I embrace the role of an artist who writes. Writing is my passion. It’s in my blood; it’s part of who I am.

Publishing is Business

In accepting the reality that writing is art, while publishing is business, it would seem that as a businessman writer, I have the best of both worlds. My creative side produces content and my business side turns it into product that sells. Unfortunately I have trouble connecting the two, at least as far as my work is concerned.

Many writers also struggle with the business side of their art. And while I am closer to connecting the two, my struggle is no less real.

Though the reason why I have this issue still evades me, the solution is clear. As Nike says, I need to “just do it.” And with all the evolving technology in the world of publishing, it has never been easier to do.

Are you more artist or businessperson?

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

Why We Should Always Have Four Books in Our Book Pipeline

Writers: How many books do you have in your book pipeline?Some authors start writing their book, focus on it until completion, work to publish it, and then promote it. Then they start their next book—assuming they have an idea for one. They have one book in their book pipeline.

Other authors are working on so many books that it’s hard to accomplish anything. I fall into that trap. I have about a dozen books in various phases of development. In reality, the number is much higher. It is insane. How many books are your presently writing? What do you think about having a book pipeline? Click To Tweet

One successful fulltime writer works on three at a time. Even though I don’t spend all day writing books, I tweaked his advice to having four books in my book pipeline:

The Planning Stage: Starting with a book idea, be it a title, a concept, a lead character, a plot, or an ending, we gather information. This includes research, making notes, taking pictures, outlining, and writing the book proposal. This activity is not our focus, but it must be intentional. Our goal is to be 100 percent ready to start writing when the time comes.

The Writing Stage: For this phase we write the book from start to finish. We work on it every day. This is our focus. We don’t switch books. Bouncing from one project to another dulls our concentration and lengthens the time required to finish it. When we finish the book, we start writing the next one right away because we have already done all our prep work.

The Publication Stage: If we are seeking a traditional publisher, this phase entails writing query letters, fine-tuning our book proposal, and seeking representation. Once we have a publisher, we need to work with them to finalize the book.

If we are indie-publishing, this involves hiring an editor (or two) and reviewing their edits, having a cover designed, finding someone to do the interior layout, and so forth. This is our book, so we must be involved with every step.

Regardless of which publication path we pursue, there are lulls in activity as we wait for others to do their work. Our involvement happens in spurts. When it is time for us to act, we must make it a priority, all the while writing our next book.

The Promotion Stage: As the publication date nears, we switch into promotion mode. This could start six months in advance but at least one. Our involvement for this stage looks like a bell curve: there is a little bit of work leading up to the month before the launch, things peak—requiring much attention, and then a month or so after the launch things taper off. However, for as long as the book is in print, we should be promoting it to some extent.

Having four book projects in our book pipeline at all times ensures we will have a steady stream of output and hopefully some income to match.

How many books are your presently writing? What do you think about having a book pipeline?

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

Why We Need a Book Proposal for Every Book We Write

Book ProposalI’ve never met an author who likes to write book proposals, yet if we hope to sign with a traditional publisher, we need a book proposal—a really good book proposal. Aside from being tedious and time-consuming, parts of a book proposal are challenging, such as researching competitive titles, selling ourselves as the ideal person to write the book, and talking about our platform (a.k.a. how we can move books). If we hope to sign with a traditional publisher, we need a book proposal. Click To Tweet

To further complicate things, there is no standard format for the ideal proposal. True, there are some common expectations, but the list varies. Even the order is a matter of preference. To further frustrate matters, some people advise including items that other equally knowledgeable folks say to ignore.

Writing Book Proposals Is a Chore

This all conspires to make writing a book proposal a chore. Thankfully we only have to write book proposals if we’re going the traditional publishing route, right? No. The gurus say to do a proposal if we’re going to self-publish too. Yeah, like I’m going to do that.

However, I gained some insight into this when attending a book proposal workshop by Andrew Rogers at the Jot Conference. In addition to giving the most helpful information I’ve ever encountered on the subject, the act of writing parts of a proposal in class was insightful.

For the purpose of the exercise, I used my then current WIP (work in progress, which I’ve since published) Women of the Biblefor which I did not have a written proposal. Noting the title and subtitle was easy, since I already knew that. A synopsis paragraph affirmed my vision for the book, while describing the target audience was insightful. Though we didn’t have time for it, writing the hook—a compelling one to two sentences to sum up the book—would provide additional clarity. Last is the table of contents, which effectively is an outline to guide the writing. (I realized that to self-publish I could skip the other items of a typical proposal, including a detailed outline, platform information, author bio, and sample chapters. Yea!)

A Mini Book Proposal for Self-Published Books

Having these five key items established would help me write and hone any book I want to self-publish. Plus, they wouldn’t take too long or be burdensome to develop. Armed with this insight, I intend to write a mini book proposal for all my future self-published books to guide my writing and clarify my vision.

The items for a mini book proposal when self-publishing are:

  1. Title and subtitle
  2. Hook
  3. Synopsis paragraph
  4. Target audience
  5. Table of contents

This is not an overwhelming list and won’t take much time to pull together. Remember, this will make our book easier to write and the finished product, better.

What’s your experience writing book proposals? Do you see yourself writing a mini book proposal for your next self-published book?

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

What Do Readers Care About?

What do book readers care about?When book readers consider our book, few will bother to look to see who published it. They won’t care if a major publisher, let alone any traditional publisher, produced it. When it comes to publishers, there is little brand loyalty, let alone much brand recognition. The imprint is of no consequence. How the printed book gets into their hands or the e-book gets into their reader doesn’t matter to them.

Here’s what does matter:

Book Readers Care about the Cover

What they will look at is the cover. They will, in fact, judge our book by its cover. First impressions matter a great deal.

Book Readers Care about the Title

The title is critical, too. Depending on how they discovered our book, whether they see the title first or the cover first, the other element will seal the deal—or not. If the cover is great but the title, lame, they will dismiss it. Similarly, if they see the title first, a great cover will move them towards a purchase, while a bad cover will move them to a different book.

Book Readers Care about the Formatting

Next, they will look at the insides, whether thumbing through the actual pages or clicking online. If the layout looks “normal,” they will proceed. If it looks odd—even though they won’t know why—a red flag pops up.

Book Readers Care about the Content

If our book passes these first three screens, they may actually read a section or two. Great writing beckons them; bad writing or editing—even average writing or editing—sends them packing.

Only when they get this far will they consider buying it.

What is your experience when buying a book? What do you care about? Click To Tweet

Readers don’t care if our book is traditionally published or self-published; they care if our book is professional looking, well written, and interesting.

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

What Type of Book Will Yours Be?

My books are overflowing my shelvesA couple years ago, I wrote about “Six Types of Books in My Library.” In summary, this is how I view my books on my book shelves:

  1. Books Worth Keeping: I enjoyed them once, and I’ll read them again.
  2. Reference Materials: Books with information I want to keep.
  3. Books I Plan to Read: I really do intend to read them—someday.
  4. One Reading Was Enough: I enjoyed these books, but once was sufficient.
  5. Books I Started But Never Finished: Despite initial promise, I gave up on them.
  6. Books That Seemed Like a Good Idea: I’ll never get around to reading them.

Running out of space and wanting to downsize, I gave away all my books in the last three categories. Some of those books will be read, many will be thrown away, and the rest will be dismissed—again. At some point, my books in category 3 will likely go, too.

With self-publishing options so prevalent today, anyone can publish a book. The question is, what category will these books end up in? Too many will fall into category 5 and 6. Some may not even rate that high. That’s because too many writers are impatient with the writing and publishing process, cutting short the honing of their work. Too many writers are impatient with the writing and publishing process, cutting short the honing of their work. Click To Tweet

While we can’t guarantee that the books we write will end up in the “worth keeping” category, we can increase the likelihood through:

  • Careful writing and rewriting
  • Listening to feedback from critique partners and beta-readers
  • Hiring a copy-editor
  • Paying for professional cover design and interior layout

May your next book be one that people actually read and then keep to read again.

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!

How Do You Get an ISBN For Your Book?

How to get an ISBN for your bookISBN stands for International Standard Book Number. It’s a globally accepted standard for identifying books. Your book needs an ISBN if it is to be viable: most retailers require it, and it helps people find your book.

Probably the only reason not to have an ISBN is if you aren’t going to sell your book and don’t care if people read it. But if that’s the case, why write or publish it in the first place?

If you go with a traditional publisher, they will provide it. Easy peasy.

If You Self-Publish, You Must Get Your ISBN

Though you may be able to buy it from the various organizations that help writers self-publish, all ISBNs originate from Bowker. I suggest going directly to them.

Don’t be shocked, but a single ISBN costs $125, while a block of ten currently runs $275. Each version of your book needs its own ISBN, so you could quickly burn through five: hardcover, paperback, EPUB, MOBI, and PDF. Each version of your book needs its own ISBN. Click To Tweet

Some companies that support self-publishing buy ISBNs in bulk and then provide them to clients at a discounted rate. However, before you go that route, carefully investigate the details to make sure you are aware of any limitations. This isn’t to imply there are dangers with this option but simply a warning to check before buying.

There is more to learn about this topic, but this will get you started.

Peter DeHaan is an author, publisher, and editor. He gives back to the writing community through this blog. Get insider info from his monthly newsletter. Sign up today!